SELECTED ACRYLICS
The collection brings together recent paintings developed through an intuitive and process-based approach to abstraction. Each work is built through repeated painting, erasure, and adjustment, allowing forms to settle gradually across the surface. The compositions favour dispersed structures rather than a single focal point, creating a sense of movement and balance.
Colour is used to organise space and mood. Warm grounds provide continuity, while smaller areas of contrasting colour introduce shifts in rhythm and direction. Traces of reworking remain visible, so that each painting records its own development over time.
Together, the works present abstraction as a physical and responsive painting practice
Always Auspicious ( Acrylic on canvas, 40 × 30 in ) Installed in a private residence, Hyderabad
Always Auspicious operates as a contained field of suspended marks, structured through vertical dispersion.
Positioned within a central architectural panel, the work becomes a point of stillness—not an isolated image, but a spatial node.
Color functions as localized activation, punctuating an otherwise muted environment.
Despite its scale, the work holds the wall through compression and focus, drawing attention inward rather than outward.
This installation demonstrates a shift from object to system—where the work engages space as a field, not just a surface